Table Josef Hoffmann Gustav Siegel J. & J. Kohn ca. 1906

SKU 981 Tags , ,

Round table model “Fledermaus”, model no. 728, Josef Hoffmann and Gustav Siegel, J. & J. Kohn, ca. 1906, beech bent and stained

  • Height: 75cm, Width: 66cm, Depth: 66cm
  • 1905 to 1908
    Technique: Beech, bent and stained, brass, glass
    Provenance: private collection Hungary
    Bib.: J. & J. Kohn mod. no. 728, comp. Giovanni Renzi, “Il mobile moderno”, Silvana Editoriale Spa, Milano 2008, p. 169
    5.600,00 VAT inclusive
    SKU 981 Tags , ,

    The Fledermaus-series was created as a collaboration between Josef Hoffmann and Gustav Siegel. They gave this furniture the simple elegance of the time creating a sharp contrast to the bulky furnishings of the late 19th century. Form follows function and only the slender, round legs and the oversized spheres serve as decoration and give this table its recognizable silhouette. The fine polish of this table accentuates the grain of the wood to create a unique, natural ornament out of it.


    Josef Hoffmann (Brtnice 1870 - 1956 Vienna), co-founder of the Viennese Secession and of the Wiener Werkstätte, was an extremely productive and versatile architect and designer. Throughout his career he experimented with various forms, techniques and materials. In his designs, he was striving for a strong reduction of the form to the essential and was a pioneer of geometric Jugendstil. This is how his characteristic geometric style was established. The scope of his designs ranges from buildings and entire interiors, following the concept of the “Gesamtkunstwerk” (total work of art), all the way to small details of everyday life. One of his most significant works is the Palais Stoclet in Brussels, a Gesamtkunstwerk which he executed for a wealthy entrepreneur between 1905 and 1911 in collaboration with, among others, Gustav Klimt and Koloman Moser.


    The Moravian company Jacob & Josef Kohn, originally specialized in the wood trade, expanded its business activities from 1867 to include the production of bentwood furniture. Until that time, the company “Gebrüder Thonet” had a monopoly on the production of bentwood furniture. With this new technique, beech wood was bent into the desired shape under the effect of steam and thus enabled the serial production of modern utility furniture. With the innovative idea of having their furniture designed by important designers of Viennese Modernism, J. & J. Kohn became one of Thonet's strongest competitors. The company commissioned some of the most sought-after architects of the time, such as Otto Wagner, Adolf Loos, Josef Hoffmann, Koloman Moser and Gustav Siegel, to design furniture. With their high-quality furnishings, the company was successful at many world exhibitions (World Exhibition in Vienna 1873, World Exhibition in Paris 1900, International Exhibition in Turin 1902, to name but a few). Aesthetically in tune with the times, the modern furniture from J. & J. Kohn became popular with the wealthy middle classes throughout Europe and overseas. The great international success was also due to the dense distribution network of the company, with branches in all major European cities. With the company motto "semper sursum" (always upwards) Jacob & Josef Kohn advanced to become one of the most successful furniture manufacturers in the Austro-Hungarian Monarchy. Seating sets, display cabinets and typical Jugendstil living accessories (tiered tables, flower columns, shelves, etc.) from the period up to around 1914 with the original label or brand stamp "Jacob & Josef Kohn, Wien" are today sought-after collector's items worldwide.


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    Table model "Fledermaus" J. Hoffmann and G. Siegel  J. & J. Kohn ca. 1906 marked
    Table Josef Hoffmann Gustav Siegel J. & J. Kohn ca. 1906
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