Centerpiece Josef Hoffmann Wiener Werkstätte ca. 1925

SKU 1406 Tags ,

Centerpiece with handles, design by Josef Hoffmann, execution by Wiener Werkstätte, ca. 1925, alpacca, chased, hammered finish, marked

  • Height: 19cm, Width: 28.5cm, Depth: 18cm
  • 1923 to 1930
    Technique: alpacca, siverplated, chased, hammered finish
    marked with “WIENER / WERK / STÄTTE”, “JH” for Josef Hoffmann and “MADE / IN / AUSTRIA” bib.: documented draft by XY for a “Aufsatz” in the Archive of the Wiener Werkstatte in the MAK (Museum of Applied Arts, Vienna), inv. nr. KI 12059-9; documented photo mod. no. S sh50 in the Archive of the Wiener Werkstatte in the MAK (Museum of Applied Arts, Vienna), inv. nr. WWF 114-6-2; documented photo in the Archive of the Wiener Werkstatte in the MAK (Museum of Applied Arts, Vienna), inv. nr. WWF 114-10-1; C. Thun-Hohenstein, M. Boeckl, R. Franz, C. Witt-Dörring (ed.), Josef Hoffmann. Fortschritt durch Schönheit, exhibition catalogue, Museum of Applied Arts Vienna, Basel 2021, p. S. 229, no. 11; Katalog der Wiener Werkstätte 1928 (reprint, ed. Waltraud Neuwirth, Vienna 2004), p. 405, no. M sh 17; comp. Waltraud Neuwirth, Wiener Werkstätte – Avantgarde, Art Déco, Industrial Design, Vienna 1984, p. 191, no. 150
    38.000,00 VAT inclusive
    SKU 1406 Tags ,
    Description

    Josef Hoffmann, a central figure in Austrian Jugendstil and the Vienna Secession, was instrumental in the transition from floral to geometric design. His style combined functional sophistication with decorative elegance.
    An outstanding example of his design expertise is this goblet, typically made of brass, but here exceptionally crafted from alpaca (nickel silver). Only 20 such pieces are recorded in the MAK archive, making this item a particularly sought-after collector’s piece. The form of the goblet is simple yet refined, featuring elegantly curved, Rococo-inspired handles, which have earned it the nicknames “Lockenpokal” (Curly Cup) and “Kringelpokal.” The handles, along with the hammered surface texture, contribute ornamental, decorative elements that emerge directly from its creation and function, rather than being applied as afterthoughts.

    This philosophy also aligns with the principles of the Wiener Werkstätte, which emphasized artisanal excellence and the unity of form and function. Each piece stood as a testament to the highest craftsmanship, where value was found not only in aesthetic beauty but also in the precision and dedication of both the designer and the artisan.
    The goblet is documented in the Museum of Applied Arts (MAK) in Vienna through both historical photographs and drawings.

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    Centerpiece Josef Hoffmann Wiener Werkstätte ca. 1925 alpacca chased marked
    Centerpiece Josef Hoffmann Wiener Werkstätte ca. 1925

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